Lost Lake Presents
Ashley Koett, Pross
Doors: 7:00 pm / Show: 8:00 pmLost Lake
$10.00 - $12.00
This event is 16 and over
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.http://www.lost-lake.com/event/1515963/
Cullen and Cobb formed TENDER in 2015, as the bedroom project of two flatmates tired of the design-by-committee nature of larger musical groups. Due to their intimate personal geography, Cobb was privy to the ’ toxic’ relationship that gestated Cullen’ s lyrics, and this record. Gladly enough, in regards to music-making with Cobb, “Nothing seemed like a struggle. We never fought anything,” Cullen remembers. They self-released a few songs and “Armour” wound up on the front page of Reddit a few hours later (with several hundred thousand plays on Soundcloud). Two years and three EPs later, TENDER now have tens of millions of streams across Soundcloud, Spotify and YouTube and have enjoyed Hype Machine's #1 spot several times with several different tracks.
‘ Modern Addiction’ is about duality, the unreliable polarity of human magnetics. The opening track, ‘ Illuminate,’ describes a struggle for independence in the face of scale-tipping dominance. ’ Vow’ finds beauty in the unique balance of a moment. ‘ Nadir,’ the album’ s most precise emotional indictment, lurches from underneath, “I hate it when you touch me, but I’ ve kept it under wraps / Get bored of trying foreplay and I think we’ re getting fat.”Swimming in between polished sub tones and global rhythms are relatable fallacies of love. These tracks have refreshingly inclusive sensual detail, and are liquid enough in their diction to be tangible to those who navigate the many flavors of romance in the year 2017. These are ultimately pop songs, meant to illuminate the ubiquitous but hidden. “We want it to make people connect with each other. We want to evoke emotion. We want people to dance,” says Cobb.
While 'Modern Addiction' often deals with the bleak realities of a love that’ s fading, repeated listens offer a sense of optimism. It’ s the relief that comes from getting through to the other side. The second half of the ‘ Nadir’ is about “loving someone in a different way,” Cullen says. “Because it isn’ t how it was in the beginning, doesn’ t mean it’s not real.”
TENDER’ s ‘ Modern Addiction' provides fresh perspective to the idea of addiction, through the lens of love. It is unafraid to admit or to accuse, eager to confide and to provide, in direct, shimmering confessionals. The irony is that Cullen seems to have not been afforded these luxuries in his personal relationship, and observing his self-portrait leaves the listener feeling similarly ephemeral and isolated. All save for that of his musical relationship with Cobb, who's dynamic and punctual dark-pop flavor echoes his bandmate's struggle with audible landscapes appropriately smooth in their tones and jagged in their turns. ‘ Modern Addiction’ is a window to overdose, intervention, relapse, and sobriety. For the listener, it's the experience of being on both sides of the glass.
3602 E. Colfax Ave
Denver, CO, 80206