Lost Lake Presents
Active Bird Community
Shannen Moser, Samia
Doors: 7:00 pm / Show: 8:00 pmLost Lake
$10 - $12
This event is 16 and over
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.https://www.lost-lake.com/event/1737532/
In Hastings-on-Hudson, a small town just north of New York City, the band’s founding members -- D’Agustino, co-songwriter/lead guitarist Andrew Wolfson, and bassist Zach Slater -- were three teenagers without direction. Long summers were spent learning how to write and perform songs, and how to communicate complex emotions, which at such a young age brought the friends closer and closer together. “I think starting the band was almost a symbol of our friendship,” says D’Agustino. “I think we wanted to build something together.” Active Bird Community became an exciting new world for them to explore, a home to run away to whenever life got too confusing, too difficult to navigate. They didn’t expect the band to last through high school, so when it did, they had to choose: separate and head off to different colleges, or stay together and see where the band could go. They chose both, and with the addition of Quinn McGovern on drums, Active Bird Community’s lineup was finalized.
In the years since, as its members made their way through young adulthood and graduated college, the band has self-released three albums: the scrappy, lo-fi Magnum Opus, the tender garage-rock assemblage I’ve Been Going Swimming (2015), and their most recent release, the anthemic Stick Around (2017). They’ve cultivated a dynamic live show that’s fortified by a collective chemistry only possible from years of friendship. Active Bird Community is finely-tuned and musically tight -- their earnestness and kinetic enthusiasm is wholly contagious, and still evident despite their advanced age of…24. And now, they’ve returned with Amends -- their Barsuk Records debut and perhaps their most deeply felt album to date.
Amends is a contemplation on loss and forgiveness that volleys between the perspectives of D’Agustino and Wolfson. “We’ve both written for the records before,” Wolfson says. “But on Stick Around it felt like Tom’s voice was the protagonist and mine was the narrator.” D’Agustino’s anxious search for maturity was countered by Wolfson’s hesitation to stop and absorb the world around them. A similar step-ball-change of action and commentary drives Amends forward, only this time specific memories are unpacked, and the past is explored and confronted rather than avoided.
Take the title track -- a driving, bittersweet song that feels sonically indebted to bands like Built to Spill, and fraught with the tension of family, loss, and learning to move on without resentment. Later there’s “Unwind With Me,” a breakup song that feels like it’s as much of a condemnation of the singer as a lamentation for failed love. “I’m unraveling everything, I need it slower than before, I need to call somebody more,” D’Agustino sings, refusing to skirt around his own culpability. There’s the McGovern-penned track “Downstairs,” a song about formless anxiety that begins delicately then gradually swells into a wall of guitar. “Silver Screen,” meanwhile, is a glowing vision of life ascending, how Wolfson imagines the future could be.
And lastly there's “Lighthouse.” The track caps the record with a final story about D’Agustino’s mother, about familial turmoil, misunderstanding, and eventual absolution -- of both oneself and others. “When I was in high school, my mom became obsessed with painting lighthouses. She’d paint them on everything, buy little lighthouse magnets or keychains, there were lighthouses everywhere. I think they gave her safety, some moments of stability in her chaotic life. There were times when my mom would be struck with this mania that would inspire and awe me, while also terrify me,” he says. “Sitting at the table with what felt like a makeshift family was too much to handle, so I checked out. Convinced myself that there was nothing wrong with me, the pain that my mother felt that drove her to incessantly make lighthouses wasn’t my pain. Enough time passes and I realize that pain isn’t crazy, it isn’t the end of the world. I’m old enough now to poke holes in how I was as a teenager, point out some faulty logic, but young enough still to remember where that logic came from, why it had to be formulated at all.”
Amends represents Active Bird Community’s efforts to contend honestly with the pain of their experiences and explore the empowering nature of forgiveness. “If you can’t forgive yourself, that robs you of your responsibility to be a force for good outside of your own immediate universe. When you take the step from blaming and wallowing, there is an opening for you to become a fuller person,” D’Agustino says. “In saying ‘it’s ok’ to your life, there’s so much power there. You can blame other people for how you feel or the choices you make, or you can take some responsibility for your feelings and your actions and try to make a change, and that first step is making amends.”
country music. Influenced by the historically rich area, stretching farmland, and local folkers,
Shannen credits the area with giving her the tools to write the music she does today. Her self-
taught guitar plucking style and confessional lyricism are evocative of the area she grew up in.
She vividly recalls her first encounter with folk music in her dad’s old truck, playing “Be here in
the Morning” by Townes Van Zandt. Since then her love for songwriting has continued to grow.
In 2014 Shannen moved to Philadelphia to pursue her music more earnestly. Her latest
recording, the debut LP “Oh My Heart” was released in January this year and has taken her from
small bedroom recordings to a more expansive sound. Mostly recorded in a barn in Earlville,
New York by Eric Muth, the record moves forward sonically while preserving the sincerity of
her earlier work and showcasing Moser’s folk and country influences. The record was later
finished in Philadelphia at the Knife Lair, a new studio project headed by Eric Muth and Wyatt
Oberholzer. Accompanied by cello from Julia Peters, keys by Joe Evers, and guitar and auxiliary
by Muth, Shannen’s band has helped her solo acoustic project evolve into a fuller sounding
project. “Oh My Heart” moves beyond the sketchbooks of Shannen’s earlier work and proves an
arrival for both her and her band.
3602 E. Colfax Ave
Denver, CO, 80206