Warbly Jets

Lost Lake Presents

Warbly Jets

Danny Dodge, Pink Fuzz

Tuesday, 2/19

Doors: 7:00 pm / Show: 8:00 pm

$10 - $13

This event is 16 and over

All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.

Warbly Jets
Warbly Jets
In our globalized, algorithm-ruled, data-based society, where the lines between public and private are blurred beyond recognition—where the hive mind masquerades as marketable individualism and Big Brother is welcomed with open arms in the name of convenience— some alarming questions present themselves. What is human connection? How easily are we bought and sold? Is there any way to cut through all the noise? Is it too late? Do we even care? And how does music—real music—fit into it all?
These are the ideas that motivated Warbly Jets’ new EP, Propaganda—which has the Los Angeles trio examining the idea of life-commodified, with a genre-wrecking sample-based set of rock songs that highlight their studio dexterity as well as their disinterest in doing what anyone expects of them. Just like their self-titled debut, released in 2017, Propaganda pulls no punches, articulately and acidicly riffing on the seedy state of things, over an arena-ready, anthemic sound and massive beats.
“ ‘Propaganda’ is a term as much as it’s a cultural ethos that’s been widely accepted. Anything from advertisement to self-aggrandizement qualifies,” explains multi-instrumentalist Julien O’neill. “From social media, push notifications, targeted ads—we’ve openly elected to carry around miniature billboards, playing our part under the promising guise of a sense of ‘connection.’ We feel empty without it.”
After a non-stop year spent on the road opening for Liam Gallagher, The Dandy Warhols, Mystery Lights, and Night Beats—as well as headlining international tours of their own in China and the UK—Propaganda served as a welcome return to Ultrasound Studios, the band’s home-base in downtown Los Angeles, and a chance to use their newfound experience, stamina, and perspective to take things to the next level. “We were getting burnt out and really wanted to shake up our writing process, so we’ve been working much more with samplers and keyboards,” adds frontman Samuel Shea. And while Propaganda does provide a distinct shift in the band’s sound, the juiced-up, souped-up prowling attitude they do so well remains right at the core.
And while early praise from Flaunt, Brooklyn Vegan, Indie Shuffle, LA Record, and Rolling Stone France, as well as a swift climb up the Spotify charts, plays on Sirius XMU and Beats1 would look a lot like validation to most bands, Warbly Jets are already back in the studio and gearing up for their 2019 North American Tour.
Danny Dodge
Danny Dodge
Having been a fixture in the Portland music scene for the better part of a decade as front man for both No Tomorrow Boys and The Criminal Guitars, Danny Dodge’s first solo effort, “Baby, Let Me Be Your Mess” is a notable departure from the garage/punk of his former bands. Showcasing jangled power-pop riffs and clever lyrical hooks, Dodge’s new found project will relate more to the likes of The Byrds and Tom Petty than the punk of old. Songs like “You Need a Man, Not a Hurrican’” and “Worry ‘Bout Ya” cut to the heart of fond memories, romanticizing the listener with a 70’s era blast made by a front seat rock radio. The lyrical wordplay in songs like “Yakima Canutt” recall Dylan-esque motifs, smacked with a sense of dark humor Dodge acquired from long nights obsessing inside the American songbook. His obsession with things passed not only shaped him as a songwriter, but as a believer in the immortality of the hook. Enlisting the help of Dodge’s right hand man, Randal Blaschke on guitar, Roselit Bone’s Matt Mayhem and Victor Franco on bass and drums, respectively, Criminal Guitars’ Jacob Decker on organ and Jenny Don’t on backup vocals, Dodge built a powerful backing band to give life to the songs. The result is a 10 song collision of rock and country, diving into the well of Roger Miller and Stones-era Beggar’s Banquet with relative ease. Cut mostly live in a two day window at Portland’s Get Loud with Matt Drenik at the helm, there’s no denying the urgency and spirit of this Portland rock ’n’ roll band.
Pink Fuzz
Pink Fuzz
Pink Fuzz (formerly BANDITS) are a red-hot bowling ball, shot out of a homemade cannon into the side panel of mid 80’s Ford Bronco.

Led by the unmatched chemistry of brother/sister John and LuLu Demitro, Pink Fuzz have “managed to enter a higher society of artistry by discharging a brand unlike any others in the provincial industry.”

Straddling the line between psychedelic and downright explosive, Pink Fuzz find themselves drawing in dazed listeners to a focal point of sound, just before pushing back with enough power and energy to knock the asbestos out of the ceiling of your towns grimy rock club.
Venue Information:
Lost Lake
3602 E. Colfax Ave
Denver, CO, 80206
http://lost-lake.com/